Miniview - 23rd Mar 2010

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Miniview: Frank Lloyd Wright in Oak Park

The evolution of the Prairie Style can be easily followed here, although the Nathan Moore house sparked an argument between myself and my companion who maintained that Wright would never succumb to using 'Tudorbethan'. Despite being rebuilt in 1924 after its upper floors were destroyed by fire, the words of the commissioner of this house echo through time. He pleaded with Wright to build him a house that avoided the embarrassment of his being pointed at by neighbours whilst on his commute, as previous commissioners of Wright homes had been.

Nathan Moore House from 1895 almost Tudorbethan - rebuilt after 1924

Nathan Moore House from 1895 almost Tudorbethan - rebuilt after 1924

The community obviously took to his architecture however, as he was invited to build the Unity Temple, which he built using a revolutionary concrete pour technique. As with much early technological innovation the material was inadequately understood and the lack of expansion joints is now rapidly destroying this important building, and the church needs to raise nine million dollars for a full restoration. The evidence of the scaffolding outside on my visit indicated that the process has started.

Arguments still continue about Wright's use of colour, and a long debate raged around his 1959 Guggenheim Gallery in New York, now painted white although the belief was that it was originally a buff colour (photo dates from 1976). Like his own home the Guggenheim was designed from the inside out. The visitor being invited to take the lift to the top of the building then to follow the sweeping curved floors down through the art as they spiral to deposit them at the ground floor.

The superb balance between the aesthetics and functionality of his buildings is typical of the architecture of Chicago. As Burnham embraced technology in the advances shown by his Reliance Building (now the Burnham hotel, subject of a forthcoming Review here on HotelDesigns) so Wright changed the perception of how space worked internally in the American home, leaving a legacy of graceful buildings as well as a stylistic influence still powerful today on both interior designers and architects alike.



Words and Pictures ŠPatrick Goff

Guggenheim Museum Exterior, New York

Guggenheim Museum Exterior, New York

Delightful details on the Nathan Moore house

Delightful details on the Nathan Moore house

Interior, Guggenheim Museum, New York. Viewer starts at the top and follows the spiral down, a form echoed in the external shape

Interior, Guggenheim Museum, New York. Viewer starts at the top and follows the spiral down, a form echoed in the external shape

Unity Temple

Unity Temple


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